Calligraphy continues to be a critical and unique characteristic when we speak about the Muslim Art and Architecture. Islam is a non- faith that is iconographic so; it supports non-figural and non-copying art forms. When the Muslims got wealth and power in the Umayyad period (661-750 CE), they concentrated on the development. The Mosque and the great mosque of Demascus are the masterpieces of that age. Yet, on a smaller scale under the intensive sway of the Syrian artisans who were really hired for many architectural and ornamental jobs, in the seclusion of fortresses and royal bedrooms, the metaphorical artwork was also in approach; the fresco artwork works, found in the ruins of Qasr-e Amra are a robust signs and case of job.| On a smaller scale under the intensive sway of the Syrian artisans who were really hired for many architectural and ornamental jobs, in the seclusion of fortresses and royal bedrooms, the metaphorical artwork was also in approach; the fresco artwork works, found in the ruins of Qasr-e Amra are a robust signs and example of job.} Besides the blossomy, geometrical and vegetal fashions, yet another variable that is long-lasting was the calligraphy that has been used as well as a device to carry Quranic and Islamic belief as a streaming motif.